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An outstanding gay porn film Produced by Al Parker and directed by Steve Scott, "this film wins the prize for best treatment of two common gay porn themes: the repressed sexuality of an all-male military setting [including authentic costumes and underwear] and the thin line between fantasy and reality. Scott's style is at its most poetic, in both image and sound." - Philadelphia Gay News. The first scene, in which an unhappy-looking young recruit gets his head shaved and his mouth filled with dick, sets the tone for this seven-vignette film - as various soldiers, captains and military police fuck and suck to the tune of discipline and obedience. Also, this themed video is a delight for the cock connoisseur, featuring good cocks with good cocksuckers. Recruit Lee Ryder shoves his big, 10" dick up his drill sergeant. In an episode called "Taps," a pretty blond recruit is saying goodbye to his buddy at the bus station when he imagines a roll in the hay - and literally ends up in the hay, sucking his hometown buddy off before detailed coverage of anal sex and they ending in simultaneous orgasms. At first silly, another segment has a probing doctor checking out testicles, cocks and asses of five men. The scene gets better once the doctor ends up leading a horny six-man orgy. Highlights include a fat, skinned cock stuck through a bunk bed (in Scott's infamous glory hole style) and Michael Christopher as a gun-totting M.P. Crisp photography, realistic undergarments and uniforms, huge and hard meat with foreskin, and hard-bodies in action abound! Professional sets and handsome men who look like they really could be recruits also make this video worth seeing. Monotonous progression and such things as fog effects are easily overlooked once the dicks pop out of boxer shorts! Manshots published this detailed review in February 1995: "Rarely if ever has the uniform mystique been more alluring than in this classic porn film A Few Good Men. In this ageless Steve Scott film, the mythic machismo of the military is captured in six vignettes and a prologue about life in the armed services. Each part stands alone as a shrewd little short story, and the entire proceedings are neatly tied together with evocative sets, sound, and most of all, costumes. The first image of the film, before the credits, is that of a raw recruit (Greg Johnson) whose long hair is being sheared off by some anonymous GI barber in camouflage fatigues. Suddenly, a haze of fantasy fog and a tattoo of military music envelop the scene, and presto, the recruit is giving the barber head. In no time, the figure pulls out to spray a load all over the kid's face before the moment is washed away by another haze of fog. And so it goes as the device is repeated to introduce and end the fantasy sex sequences that emerge from the February 1995 realities of military life. The first episode, "Recruit," pictures two hunks (Peter Wave and Lee Sterm) in a pickup truck. Wave is off to join the marines, and amid farewells, he flashes back to a scene in a haymow, which concludes with a perfect simultaneous orgasm. The second sequence, ''Taps," finds a crew-cut Lee Ryder in his bunk just before lights out. Again there is fantasy fog and sound, and a fat, uncut cock pierces the ticking of the mattress in the bunk above him. He reaches up for it and begins a double jerkoff which ends with both loads spilling all over him. The third, "KP," finds Wave, now in fatigues, on kitchen patrol, fantasizing about his sergeant (Peter Barrie), a pumped up, mustached son of a bitch with a chest full of medals. Soon, Wave is on his knees among the garbage cans, urging the man's cock out of olive drab skivvies, to devour him. The fourth, "Physical," represents the fantasy of a medic examining a group of enlistees for hernias and hemorrhoids. Slipping into a latex glove, he fingers and rims each of them, and before long the physical has become a multi-spurted orgy. The fifth, "A.W.O.L.," pits MP Michael Christopher (in helmet, holster, and boots) against Michael Mueller, who has been away without leave for a week. Soon, Christopher is throwing a mean standing fuck into him, dog tags jingling, and the scene ends in a spurting, rolling orgasm that highlights the film. In the final sequence, "Get Down and Give Me Ten," Ryder turns the tables on the sergeant (Barrie again) who has given him pushups during inspection of quarters. Ryder replies, "You want ten? Get down on your knees and get 'em." Watching the topman sergeant shift to bottom, both orally and anally, is a turn-on twist, especially since the tight close-ups of penetration are superlative. A Few Good Men is a must for all uniform mavens, and will undoubtedly serve to recruit myriad others. The results are so inviting that even a conscientious objector might be tempted to enlist." A BIJOU VIDEO exclusive.
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